Showing posts with label Rowan Plantagenet Artwork. Show all posts
Showing posts with label Rowan Plantagenet Artwork. Show all posts

Monday, 15 August 2011

Eleanor of Aquitaine

I finished the sketch for this drawing already a while ago and somehow avoided it then for a long time. Eleanor is quite demanding and I feared my work could possibly not be good enough.
I drew her yesterday and the day before yesterday and have to admit that I am quite pleased, I just have to take a better photo of it.

Eleanor of Aquitaine

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
24×32 cm watercolour paper (260g/m² )
Eleanor of Aquitaine (in French: Aliénor d’Aquitaine, Éléonore de Guyenne)
(1124 – 1 April 1204)
This most remarkable woman was Duchess of Aquitaine in her own right, queen consort of France (1137–1152) and of England (1154–1189).
She was the mother of Marie, Countess of Champagne, Alix, Countess of Blois, William IX, Count of Poitiers, Henry the Young King, Matilda, Duchess of Saxony, Richard I of England, Geoffrey II, Duke of Brittany, Eleanor, Queen of Castile, Joan, Queen of Sicily and John of England.

A Heavenly Prince


Amadar
This is my beloved Amadar, an angel from Machon, the 5th Heaven.
His energy is light blue and he is an angel of love, understanding and healing.
His wings sparkle like snow in the sunlight. ♥
One of his symbols is the Fleur de Lis.

This was another try with the Corel Painter 12 trial version.

The pose and part of the armour was inspired by Lancelot of the King Arthur movie:

Friday, 27 May 2011

Cranus - The Lord of the Wood

I drew him a year ago as an Alban Eilir present for a friend.
He is the Brythonic god Cranus, the lord of the woods, the way I see him.

Cranus - The Lord of the Wood

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
A 5 watercolour paper 300g/m²

Saturday, 14 May 2011

William Rufus

William Rufus was nudging me for several days to draw him, and the day before yesterday I finally finished the drawing.
I have to admit that I am quite pleased with it.

William Rufus
Faber-Castell Watercolour-Pencils “Albrecht Dürer”
Derwent Soluble Graphite Pencils “Graphitint”
A 5 watercolour paper 300g/m²

William II of England, called William Rufus (probably because of his red beard or because of his red face when in anger) was born around 1056 as the third son of William the Conqueror (William I) in the Duchy of Normandy.
He was King of England from 1087 until 1100, with powers over Normandy, and influence in Scotland.
William was a great soldier, but according to the Anglo-Saxon Chronicle “hateful to almost all his people and odious to God.” Well…I guess not everyone liked his constant struggle with the church and he is one of the most maligned kings of England.
William was a bit outré though and rather contentiously and did not spare a thought about marrying or even “producing” heirs. (There were no illegitimate children either and it is widely believed that he was homosexual. Orderic Vitalis and William of Malmesbury seem to hint to that.)
Rufus was his father’s favourite son und thus succeeded him to the throne after his death.
He was educated by Lanfranc, the Archbishop of Canterbury and seemed to have a very special relationship to his brothers. Orderic Vitalis relates an incident that took place at L’Aigle, in 1077 or 1078: William and Henry, having grown bored with casting dice, decided to make mischief by emptying a chamber pot onto their brother Robert from an upper gallery, thus infuriating and shaming him. (I mean…guuuuuh…ewwwwww!) A brawl broke out, and their father King William I was forced to intercede to restore order.

William Rufus died 2 August 1100 while hunting.
An account by Orderic Vitalis describes the preparations for the hunt:
“an armourer came in and presented to [William] six arrows. The King immediately took them with great satisfaction, praising the work, and unconscious of what was to happen, kept four of them himself and held out the other two to Walter Tyrrel … saying “It is only right that the sharpest be given to the man who knows how to shoot the deadliest shots”
On the subsequent hunt that afternoon, the party spread out as they chased their prey, and William, in the company of Walter Tyrell (or Tirel), Lord of Poix, and many other magnates. An arrow, perhaps grazing a stag, lodged in the breast of the king, who, falling forward drove it through his lung and died on the spot, without, the chroniclers note with grim satisfaction, time to confess his sins.

William’s body was abandoned by the nobles at the place where he fell, because the law and order of the kingdom died with the king, and they had to flee to their English or Norman estates to secure their interests. William’s younger brother, Henry, hastened to Winchester to secure the royal treasury, then to London, where he was crowned within days, before either archbishop could arrive. The inscription on the Rufus Stone indicates that it was left to a local charcoal-burner named Purkis, to take the king’s body to Winchester Cathedral on his cart. At Winchester, left without a bishop like many other sees, while the king garnered the income, hasty and simple obsequies were in charge of the cathedral prior.

According to the chroniclers, William’s death was not murder. Walter and William had been hunting together when Walter let loose a wild shot that, instead of hitting the stag he aimed for, struck William in the chest. Walter tried to help him, but there was nothing he could do. Fearing that he would be charged with murder, Walter panicked, leapt onto his horse, and fled.

The inscription on the Rufus Stone reads “Here stood the oak tree, on which an arrow shot by Sir Walter Tyrrell at a stag, glanced and struck King William the Second, surnamed Rufus, on the breast, of which he instantly died, on the second day of August, anno 1100. King William the Second, surnamed Rufus, being slain, as before related, was laid in a cart, belonging to one Purkis, and drawn from hence, to Winchester, and buried in the Cathedral Church, of that city.”

William’s remains are in Winchester Cathedral, scattered among royal mortuary chests positioned on the presbytery screen, flanking the choir.

I drew him the way I see him – as always.

Wednesday, 27 April 2011

John I of England


John I of England
Faber-Castell Watercolour-Pencils “Albrecht Dürer”
A 5 watercolour paper 300g/m²

He's one of the most maligned kings in history, I suppose and I'd love to do him some justice.
John Plantagenet (* 24 December 1166) reigned as King of England from 6th April 1199 until his death on 19th October 1216. He succeeded to the throne as the younger brother of King Richard I. (known in later times as Richard the Lionheart). John acquired the nicknames of Lackland (French: Sans Terre) for his lack of an inheritance as the youngest son and for his loss of territory to France, and of Softsword for his alleged military ineptitude. (Most likely he was given both nicknames by his father, King Henry II.)
John was a Plantagenet or Angevin king and was born on Christmas Eve 1166 it is said...

Apart from entering popular legend as the enemy of Robin Hood, he is also known for when he acquiesced to the nobility and sealed Magna Carta, a document limiting his power which is popularly thought as an early first step in the evolution of modern democracy.

And just to clarify it - he was by no means illiterate! He was an highly educated man with the largest library of that time.

Tuesday, 12 April 2011

Edward II and Piers Gaveston

I love them both loads, I have to admit, and I was pondering how to draw them for quite a while.
As I always draw what I see when I connect to historical persons and/or energies, I was fairly picky here and did lots of sketches.
But now I am highly pleased.

Edward II.
Faber-Castell Watercolour-Pencils “Albrecht Dürer”
A 5 watercolour paper 300g/m²

Edward II (25 April 1284 – 1327), called Edward of Caernarfon, was King of England from 1307 until he was deposed by his wife Isabella in January 1327. He was the sixth Plantagenet king.


Piers "Perrot" Gaveston
Faber-Castell Watercolour-Pencils “Albrecht Dürer”
A 5 watercolour paper 300g/m²

Piers Gaveston, nicknamed Perrot, the 1st Earl of Cornwall, was born in 1284 – most likely on July 18th - and died 19 June 1312.
He was the favourite and (what I am covinced of) lover of King Edward II of England.

Thursday, 24 March 2011

Thor

A few days ago, we've both been drawing Thor - Old Norse Þórr, Old English Þunor and Old High German Donar - the god of thunder, lightning, storms, oak trees, strength, destruction, fertility, healing, and the protection of mankind. In legend, he is the son of Odin and Jord, the earth goddess.
As we always draw what we see when we connect with the deity's energy, our portraits look rather similar.


Thor

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
watercolour paper 300g/m²



Thor

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
Derwent Soluble Graphite Pencils “Graphitint”
A 4 watercolour paper 260g/m²

Thursday, 17 March 2011

Saint Patrick by Rowan Plantagenet

Saint Patrick or Naomh Pádraig the way I see him when I connect spiritually to him.

Saint Patrick

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
Derwent Soluble Graphite Pencils “Graphitint”
36×48 cm watercolour paper 300g/m²

Sunday, 20 February 2011

Daughter of Fál by Rowan Plantagenet


Daughter of Fál

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
A 5 watercolour paper 300g/m²
This was a drawing for a very dear friend.
Fál or Lia Fáil is a kind of menhir that was said to be brought to Ireland by the Tuatha Dé Danann or the Sons of Míl.
[...]Narrow and as tall as a full-grown man, Fál was conventionally described as a ‘stone penis’. According to widely repeated tradition, Fál would roar or cry out under the feet of a legitimate king, or a man who aspired to kingship, who stepped upon it. A silent stone implied censure of the king who approached it. For this reason Fál became a learned and poetic synonym for Ireland and survives in several compounds, e.g. Inis Fáil (island of Fál). [...]
JAMES MacKILLOP. "Fál." A Dictionary of Celtic Mythology. 2004. Retrieved February 20, 2011 from Encyclopedia.com: http://www.encyclopedia.com/doc/1O70-Fl.html
Thus, "Daughter of Fàl" means "Daughter of Ireland".

Friday, 18 February 2011

Manannán mac Lir by Rowan Plantagenet


Manannán mac Lir

Faber-Castell Watercolour-Pencils “Albrecht Dürer”
watercolour paper 300g/m²
Manannán mac Lir is a Celtic/Welsh sea deity or a god of death.
He is said to be the son of Lir (also called Ler, which both means "sea" in Old Irish), a sea god in Irish mythology.
He is supposed to be even older than the Tuatha Dé Danann.
He is considered a ruler of the Otherworld and he is the guardian of the mists that shroud this world from ours. Sometimes he is portrayed as a "trickster" (I really don't like the word) and his cloak changes colours.

I did draw him the way I see him - and for me, his cloak changes its colour with the Irish sea. Here it is the stormy sea which mirrors in the colours.
He is also connected with the Fortunate Isles or Isles of the Blessed - where heroes and other favored mortals in Greek and Celtic mythology were received by the gods into a blissful paradise - and Mag Mell (meaning "plain of joy"), a mythical realm achievable through death and glory. Mag Mell is supposed to be an island far to the west of Ireland or a kingdom beneath the ocean. and was visitied by numerous Irish heroes and monks. Just like Tír na nÓg it's a place of eternal youth and beauty.
According to legend, Manannán possesses a boat that needs no sail and that was built without nails, the Wave Sweeper, a cloak made of mists which makes him invisible, a flaming helmet and a sword named Fragarach (the "avenger") that never misses its target. His horse Aonbharr of the Flowing Mane carries him above sea and ground and the god Lugh received many beautiful and magical gifts from him.